ANCIENT ASTRONAUT THEORY: ALIEN ARCHAEOLOGY #2

TIWANAKU ALIEN
AND THE NAZCA LINES -2

A deeper look at Andean archaeology

"The Nazca Lines date from the late sixth century to the late seventh century, Christian Era, which corresponds to Tiwanaku's sky-god epoch. There is radiocarbon dating to support that contention. The Nazca Lines have nothing to do with a primitive, mummy-making people that lived in that region two to three thousand years ago. If there was anyone still living in that desert when the Tiwanaku armies arrived, and if they worked on the lines, they likely did so as slaves. The people of Nazca did not make the Nazca Lines. Tiwanaku made the Nazca Lines. Only Tiwanaku had motive to make those lines."

--Morten St. George

Quite a few Internet pages are dedicated to the Nazca Lines of Peru, and everywhere you see the same conclusion: the Nazca Lines are a great mystery or enigma. It makes me wonder if the people on this planet are lacking common sense, or else an aversion to any possibility of aliens is keeping them from seeing the obvious.

Simple observation of what you see on the desert floor in Peru is enough to determine why those lines were made. Dozens of figures of animals and the like, so large that they can only be viewed intact from the sky, were clearly made for a creature(s) in the sky who was intelligent enough to be attracted and entertained by those drawings. Dozens of arrow-head type pointers provide directional guidance, so this creature(s) was not only in the sky but also flying through the air. Lines that run straight for kilometers, up and down hills rather than around them, were clearly made to be followed by a creature(s) who could fly higher than the hills.

The purpose and motivation behind the Nazca Lines is not a mystery. Only a minimal understanding of the workings of the human mind is required to determine that the Nazca Lines were made to attract, entertain, and guide a creature(s) who could fly, who had eyes, and who was intelligent. Whether or not such a creature really existed, or was merely imagined by the people of Nazca, is another issue. And if such a creature existed, whether or not it was an alien is still another issue. Meanwhile, why they made those lines is no enigma at all.

The central contention of this website is that the Nazca Lines were made, specifically, to be viewed by the sky god of Tiwanaku (Tiahuanaco in Spanish), that is, Tiwanaku made the geoglyphs. Tiwanaku was a city in the Bolivian highlands about six hundred kilometers to the southeast of the Nazca. During the seventh century, Tiwanaku pushed its empire into Peru. It got at least as far north as Paracas, where they made a geoglyph of the sky god's tail, and perhaps even further north since some Aymara place names are still extant in central Peru.

In Tiwanaku Alien and the Nazca Lines - Part 1, we pointed out some correlations between Tiwanaku artwork and the artwork on Nazca pottery and also with the Nazca geoglyphs. Here we will look at additional correlations.

SPIRALS

There are reputed to be some one hundred drawings of spirals on the Nazca plain, of which the most memorable is perhaps the monkey's tail. Similar spiral drawings are also found in Tiwanaku. It seems likely that the ancient astronaut descended from the sky in a spiral motion.

FOUR FIGURED HANDS

The four fingers are significant. The city of Tiwanaku existed for perhaps some two thousand years prior to the arrival of the sky god and the statues from those earlier epochs all reflect five clearly defined fingers. Four fingers only pertain to the sky god. The artists of Tiwanaku used the surface of those ancient statues to make sky-god engravings, so they may have merged sky-god contact with old beliefs.

Tiwanaku drawings of their sky god always depict it as having only four fingers. In Nazca, the blob geoglyph depicts one hand with four fingers and one hand with five fingers, likely symbolizing a bond of friendship between the ancient astronaut and the humans. Hands of four and five fingers, respectively, also appear in the monkey geoglyph.

THE LOUDSPEAKER

The Nazca pottery drawing displays a loudspeaker attached to the sky god's hand-held instrument, likely symbolizing its communicative capabilities. Similar loudspeakers also appear in Tiwanaku drawings.

There is more of interest in this drawing than the voice amplifier. Head symbols for fish, bird, puma, and human are all easy to identify but I have doubts about what the concentric circles represent. Possibly serpents or some sea creature. Other possibilities include oxygenation bubbles inside the helmet, patterns on the alien's face or skin, the pods from which the toes emerge, instrument buttons or component, ears or listening device, and milling stones. The museum on the Tiahuanaco site has a “milling stone” with some intriguing engravings on it.

THE INTELLIGENT FISH

In the Tiwanaku drawing where the sky god is holding condor-pointed instruments, you may have noticed the image of a human head hanging down from each one of his arms. And in the Tiwanaku drawing where the sky god is about to liftoff into the sky, you may have noticed that his helmet is surrounded with human head images. Like the fish heads and the bird heads, human heads are symbolic. Human heads symbolize intelligence. This was one intelligent fish, a very intelligent fish.

The concept of intelligent fish was not unique to Tiwanaku. Here you see a Nazca geoglyph. Notice a human head attached to the head of a fish. For sure, this is an ordinary fish and not a evolutionary advanced fish like the Tiwanaku sky god, but still we are looking at a concept that undoubtedly originated in Tiwanaku.

THE FLYING FISH

"It seems that the world's archaeologists have joined the global conspiracy against Nazca by proclaiming the geoglyphs to be a mystery. It's a real shame that no honest and intelligent people have been inspired to become archaeologists. It's a worthwhile field. So, what's the mystery? The region is full of drawings of a flying fish. The key word there is 'flying.' How hard is it to figure out that, if the thing can fly, it would be able to view the geoglyphs from the sky?"

--Morten St. George

Establishing a connection between Nazca and the Tiwanaku sky god is not alone sufficient to explain the geoglyphs. It is still necessary to show that this creature could fly. Why in the world would they make the geoglyphs if the creature was incapable of flying overhead to view their drawings?

FLIGHT INSTRUMENTS

In Part 1, I discussed a Tiwanaku drawing of the sky god with its arms raised up, holding its hand-held instruments that had suddenly contracted and split apart, apparently creating an anti-gravitational field around its body as the tail, lighter than the body, is rising first. Indeed, the central pod of the tail is depicted up above the sky god's helmet. Also noteworthy are the puma-head symbols, which may indicate that the instruments made an audible roaring sound upon liftoff into the sky.

Other Tiwanaku drawings confirm that they believed the sky god's power of flight rested in those hand-held instruments. One drawing places bird heads on each end of the instrument,

and another drawing encloses a bird head inside the instrument. Bird heads are the symbol of flight.

It's a bird, it's a plane, it's Superman! That is how the Tiwanaku alien flew about, freelance style, just like Superman. It is only because of human inability to imagine any technology more advanced than ours that most people believe ancient astronauts needed to use landing craft.

Morten St. George

Someone once remarked that hundreds of archaeologists had come to investigate the Nazca Lines but not one of them ever bothered to ask the indigenous people living around there about who made the lines and why.

As with any mystery of this type, it is only natural to look for external influences, but no one has done that with Nazca. The archaeologists have such enormous disdain for the Andeans (you can call it racism) that they cannot imagine that these peoples were capable of walking more than a few miles from the place where they were born. More importantly, the archaeologists cannot imagine that the Andeans had enough intelligence to use a bird head as a symbol for the power of flight.

On the opening page of this website, I was being sarcastic when I referred to the “highly advanced civilizations of Europe.” You might as well know the truth about what was the situation in Europe: books were being burned wherever they could be found and any person who dared to think was likewise being burned. At that time, the Andeans had the most advanced and open-minded civilization on this planet, and the ancient astronaut picked the right place to present himself.

Morten St. George's comments imply that the Nazca Lines were created during Tiwanaku's sky god epoch, generally thought to have begun around AD 600. See his article Tiwanaku Alien and the Nostradamus Prophecies – 1 for information on dating the Nazca Lines.

Proceed to Tiwanaku Alien and Cuzco Archaeology.

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